In the anime version, the rice farmers are still starving, but the bandits now ride around in flying horseshoe-shaped fortresses, which they use to terrorize the locals into turning over both crops and women. They include Heihachi, a samurai so poor that he has been reduced to chopping firewood for a living Katsushiro, an eager young apprentice who hasn't yet earned his samurai stripes and, most famously, a raging, colorful drunk, Kikuchiyo - the role that turned the charismatic Toshiro Mifune into an international star. The villagers return with one dignified veteran fighter, Kambei (Takashi Shimura), who enlists six other candidates. In the original, a village of starving rice farmers, tired of having their yearly crop stolen by bandits, sends a group of emissaries to a neighboring city, in hope of finding unemployed samurai hungry or idealistic enough to fight for food and lodging. The similarities between the projects seem fairly superficial. ‘The Underground Railroad’: Barry Jenkins’s transfixing adaptation of the Colson Whitehead novel is fabulistic yet grittily real.‘Succession’: In the cutthroat HBO drama about a family of media billionaires, being rich is nothing like it used to be.
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‘Dickinson’: The Apple TV+ series is a literary superheroine’s origin story that’s dead serious about its subject yet unserious about itself.‘Inside’: Written and shot in a single room, Bo Burnham’s comedy special, streaming on Netflix, turns the spotlight on internet life mid-pandemic.
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Here are some of the highlights selected by The Times’s TV critics: Television this year offered ingenuity, humor, defiance and hope. Broadcast in Japan in 2004, the series, produced by Gonzo Digimation under the direction of Toshifumi Takizawa, is a retro-future reimagining of Kurosawa's best-known samurai film (and one of the best-known Japanese films in the West), the 1954 "Seven Samurai."
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With "Samurai 7," an elaborate, 26-episode animated series from Japan that starts tonight at 10:30 on the Independent Film Channel, the circle is closed. Imperial Edo is reflected in the malignant intergalactic empires of space operas the long-suffering Japanese peasantry becomes the victimized population of peaceful planets like Luke Skywalker's Tatooine and the pure-hearted samurai of ancient folk tales mutate into the idealistic warriors who populate films like the "Lord of the Rings" cycle. George Lucas has acknowledged the influence of Akira Kurosawa's 1958 samurai film, "The Hidden Fortress," on his "Star Wars" saga, and there are many other examples in the science fiction and fantasy canon that play on the powerful resemblance between bushido blades and light sabers.